I did this lesson yesterday in a third grade, but guess what? Some kids weren’t noticing! That’s okay. I was prepared. I knew that in this group, some kids might struggle. Maybe they hadn’t done this kind of exploration before. Or maybe they didn’t have the language to articulate their noticings. I did some of the noticing for them, ahead of time and gave them cut up sticky notes to then name the parts/features of a personal essay. Then it became a treasure hunt–they had to look for features that were already named.
Did you ever notice that fourth graders like to complain? Nine and ten year olds have major ish with life! Pollution, Smoking, Bullies, War. Even green vegetables get to these kids. So Danny Valles, a really cool teacher at New Egypt Elementary School in NJ, decided to let his fourth graders make their gripes public. He created a Graffiti Complaint Wall. Students named their complaints, then they wrote about their issues in detailed personal essays.
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What happened? To answer that, it helps to consider what gave rise to the personal essay’s ubiquity in the first place. Around 2008, several factors converged. In preceding years, private blogs and social platforms—LiveJournal, Blogspot, Facebook—trained people to write about their personal lives at length and in public. As Silvia Killingsworth, who was previously the managing editor of The New Yorker and took over the Awl and the Hairpin last year, put it to me, “People love to talk about themselves, and they were given a platform and no rules.” Then the invisible hand of the page-view economy gave them a push: Web sites generated ad revenue in direct proportion to how many “eyeballs” could be attracted to their offerings, and editorial budgets had contracted in the wake of the recession. The forms that became increasingly common—flashy personal essays, op-eds, and news aggregation—were those that could attract viral audiences on the cheap.
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Sarah Hepola, who worked as Salon’s personal-essay editor, described the situation to me in an e-mail. “The boom in personal essays—at Salon, at least, but I suspect other places—was in part a response to an online climate where more content was needed at the exact moment budgets were being slashed.” When I worked as an editor at the Hairpin and Jezebel, from 2013 to 2016, I saw up close how friendly editors and ready audiences could implicitly encourage writers to submit these pieces in droves. For the first two years that I edited personal essays, I received at least a hundred first-person pitches and pieces each week.