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Aesthetics In Piano Music From Romanticsm To Modernism Music Essay

In the early twentieth century, with the emergence of avant-gardegroups such as Dada, Soviet-Constructivism and Surrealism, there was aradical change in approaches to photography as art. These groups weredrawn to photography's modernity and, rather than relating it to painting,they sought a new aesthetic based on the operations of the camera. Avantgardephotography tended to employ a sharp focus and often depictedmodern subjects, such as Albert Renger-Patzsch's images of industrially producedcommodities or László Moholy-Nagy's images of the Eiffel Tower.

Roland Barthes pointed out that photography in its earliest years depictedremarkable things, but over time things became remarkable simply becausethey were photographed. The development of a medium that allowed fora quick and accurate reproduction of the world meant the creation, for thefirst time in history, of a visual record of all aspects of life. Photographs offera visual knowledge of the world outside direct experience. This knowledgeis abstracted and second-hand, but it nonetheless creates a strong sense ofrecognition. Visual representations became increasingly important in thedissemination of knowledge; the endless reproducibility of the photographmade it a central feature of modern, spectacular, consumer society.

Wagner also wrote a number of essays regarding music and aesthetics, ..

Music and the aesthetics of modernity : essays (Book, …

Karol Berger and Anthony Newcomb (eds), Music and the Aesthetics of Modernity: Essays (Cambridge, MA: Harvard University Press, 2005)

The aim of this essay is to explain how Post-Modernism has influenced our contemporary built environment and explain what other movements have derived from it.

Modernism was a movement that outstretched literature and poetry, yet provided a new amount of freedom for war poets, as it allowed them to express themselves in the modernist fashion of free forms and room for criticism on the modern world (Matterson)....

Aesthetics and Modernity: Essays by Agnes Heller …

"To some Post Modernism is an excuse to pile together oodles of wild and crazy decor, to others it is another example of the weakness of standards and values....

Brad Bucknell, Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein (Cambridge: Cambridge University Press, 2001)

Long before “postmodernism” became fashionable, Adorno and Horkheimerwrote one of the most searching critiques of modernity to have emergedamong progressive European intellectuals. Dialectic ofEnlightenment is a product of their wartime exile. It firstappeared as a mimeograph titled Philosophical Fragments in1944. This title became the subtitle when the book was published in1947. Their book opens with a grim assessment of the modern West:“Enlightenment, understood in the widest sense as the advance ofthought, has always aimed at liberating human beings from fear andinstalling them as masters. Yet the wholly enlightened earth radiatesunder the sign of disaster triumphant” (DE 1, translationmodified). How can this be, the authors ask. How can the progress ofmodern science and medicine and industry promise to liberate peoplefrom ignorance, disease, and brutal, mind-numbing work, yet helpcreate a world where people willingly swallow fascist ideology,knowingly practice deliberate genocide, and energetically developlethal weapons of mass destruction? Reason, they answer, has becomeirrational.

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music and the aesthetics of modernity | Download …

music and the aesthetics of modernity ..

Modernists in all of these art forms are consciously engaged in the expansion of the boundaries of their art, and in asking their audiences to reject the status quo, both of the art and of some aspect of society or culture the art form addresses....

Aesthetics and Modernity collects the essential essays ..

When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. John Minton is professor of folklore at Indiana University-Purdue University Fort Wayne. He is also a musician, songwriter, and the author of "The Coon in the Box": A Global Folktale in African-American Tradition (with David Evans) and "Big 'Fraid and Little 'Fraid": An Afro-American Folktale.

Music and the Aesthetics of Modernity: Essays …

Unreliable translations hampered the initial reception of Adorno'spublished work in English speaking countries. Since the 1990s,however, better translations have appeared, along with newlytranslated lectures and other posthumous works that are still beingpublished. These materials not only facilitate an emerging assessmentof his work in epistemology and ethics but also strengthen an alreadyadvanced reception of his work in aesthetics and cultural theory.

Music and the Aesthetics of Modernity: Essays (review)

'Purity' meant self-definition, and the enterprise of self-criticism in the arts became one of self-definition, with a vengeance.' (Greenberg, 'Modernist Painting', Art in Theory, p.755) 'Greenberg's aesthetics are the terminal point of [an] h...

Aesthetics and modernity : essays (eBook, 2011) …

Born on September 11, 1903 as Theodor Ludwig Wiesengrund, Adorno livedin Frankfurt am Main for the first three decades of his life and thelast two (Müller-Doohm 2005, Claussen 2008). He was the only sonof a wealthy German wine merchant of assimilated Jewish background andan accomplished musician of Corsican Catholic descent. Adorno studiedphilosophy with the neo-Kantian Hans Cornelius and music compositionwith Alban Berg. He completed his Habilitationsschrift onKierkegaard's aesthetics in 1931, under the supervision of theChristian socialist Paul Tillich. After just two years as a universityinstructor (Privatdozent), he was expelled by the Nazis,along with other professors of Jewish heritage or on the politicalleft. A few years later he turned his father's surname into a middleinitial and adopted “Adorno,” the maternal surname by which he is bestknown.

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